Philippine Sunday Times
From
a GI's Sketchbook
THE INVADING
Japs brought pencils and sketchbooks along with their worthless
fiat money. The result was a flood of drawings of Philippine
scenes, some good but mostly bad, which eventually found their
way into propaganda magazines and leaflets.
The Yanaks also
brought sketchbooks. One of them, 19-year-old Eugene Colan of
New York city, did the three watercolors reproduced on this page,
while with the 22nd Replacement Depot in the Manilla area. GI
drawings get the local spirit better than the average Jap soldier-artist
ever did because affinity in Fil-American taste.
Whereas Jap
soldier drawings were wispy, subjective and generally reminiscent
of Oriental art, the work of GI's, both amateur and professional,
is characterized by vigor and objectivity.
Our GI artist
went for a time to an art school in the states before joining
the army. Weeks ago, when he brought us these drawings and others
in his sketcbook, he said he might be demobilized soon but planned
to get a job here, to finance further art studies.
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Thes kids posed off and on for several
days for Private Colan. Carefull attention to detail is typical
of sketches done by foreigners, who notice things ordinarily
taken for granted. Note "lifelike" Batibot chairs. |
| Boy with slightly open mouth put on GI's
overseas cap for artist. His frown may have been result of long
sittings, which were unavoidable because watercolor rendering
takes time, is difficult even for professionals. |

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In this drawing of a Filipino girl, Private
Colan eschewed the favorite refuge of commercial art - a pretty
face. The Malayan cast of the subjects features is stressed,
but the most realistic touch of all is padded coiffure, favored
from Manhattan to Tondo. |
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